I was pleasantly surprised that it’s much lighter than the Nikon equivalent (by 320g), and also Canon’s version too (by 110g). As with all Zeiss lenses, build quality on the 55mm f/1.8 is excellent, with a metal barrel and a solid, high quality feel. Sony a6000 +  24mm f/1.8 | © Duy Nhât Phan. I have to say that the auto-focus speed of the 35mm f/1.8 when mounted to the Sony a6000 wasn’t amazing, especially when the subject was heavily back-lit. While it is hard to beat this e-mount lens, you will want another lens for taking close-ups of people. … 50mm is a popular focal length since it gives an un-distorted view of the world, and can be flattering for portraits, without making the subject feel detached like a longer lens might. Category: Wide angle. This is one of the best lenses for portraits. They feature an internal focus design so that the lens does not change size while focusing to minimize … Sony E-mount lenses feature optical designs and control technology that minimise breathing. From there the sky is the limit. All FE lenses are compatible with the Sony a6000 series and all other Sony e-mount crop sensor cameras. For this price, I recommend the 85mm f/1.8 for any photographer who needs a versatile portrait focal length at a good price, which complements the size of a Sony mirrorless camera. While this 50mm-equivalent lens is a bit pricey for an f/1.8 normal lens, we think … If you are on a budget you might want to check out our list of manual <$100 lenses that perform well on the Sony a7 series.If your budget is a bit bigger we also have a guide to lenses for less than $500 which perform great on your Sony … At f/2.8, the 24-70mm f/2.8 is impressively sharp in the centre of the frame across the entire focal range. Highly recommended! What is the ultimate Sony FE (full-frame, E-mount) Macro lens? If you want to step up the image quality considerably on your a6xxx series camera, the Sigma 30mm f/1.4 is a good bet – that fast maximum aperture will deliver great bokeh, and get you out of trouble in low-light too. Canon TS-E 24mm II with Metabones to Sony FE mount. The Sony FE 85mm f/1.8 is designed for the Sony E-mount full-frame camera systems. For zooms, the f/2.8 G Master lenses are the cream of the crop, whether you own FE or E mount. Although the Sony APS-C sensor does a good job in sucking in as much light as possible, due to the limitations of the smaller sensor size, images captured in low-light at higher ISOs can become rather noisy. I’m a firm believer that small mirrorless bodies should be matched with small, lightweight lenses, and this is quite simply one of the best. Find the perfect deal for Sony E-mount Manual Focus Camera Lenses with free shipping on many items at eBay. Colour rendition is excellent with the Sony 24mm f/1.8, and images are clear, vibrant and contrasty, but this obviously depends too on the camera used. Highly recommended! At only 200 g and a truly pocketable size, I imagined this would be my ‘everyday lens’ for non-professional use, or the lens I’d attach to my new a7 III when traveling. When shooting on an APS-C camera the lens is g… I call it the ‘lazy lens’, as you can literally shoot an entire wedding with one, barely moving your feet all day! That lets in an incredible amount of light. I was on the fence for a while whether to include the excellent Sony FE 35mm f/2.8 here instead, but realised that my love for that lens was mostly due to its size rather than its optical performance. Its speed only adds to its appeal. It also has internal seals which protect it from moisture. Weighing in at 680g, this is one chunky lens, similar in proportions to the 35mm f/1.4 described above. So focus is fast and quiet. Whilst you could use the 35mm f/1.4 on a crop sensor body like the Sony a6500, I’d definitely recommend holding the camera+lens setup before making your purchase – the size/weight of the lens will dominate the camera, so could feel quite odd. Fujifilm shooters are ‘limited’ to APS-C or Medium Format, but Sony shooters can decide between crop sensor and full frame.. and most pros choose full frame. This can be too difficult for most beginner photographers to figure out on their own. The Sony 28mm f/2 is also popular on Sony E mount bodies, providing a 42mm field of view. Yes it is. If you’re looking for a wide angle zoom lens with the best image quality and can justify the price tag, there simply isn’t a better option than the Sony 16-35mm f/2.8. The above lens is the Sony FE 70-200mm f/4 G OSS. On a cropped sensor Sony mirrorless camera, this lens will give roughly a 50mm field of view (52.5mm), which is ideal for a whole range of subjects. Sony a7RII +  24-70mm f/2.8 | © Tony Gale. If portability is your primary concern the f/2.8 model is the best choice, but the lens I’m about to tell you about below is much better…. Most people would want a lighter lens than this. Lightweight, compact, good image quality: all things everyday people want in a lens. Paired with the Sony a7 or a9 series bodies which offer silent shooting, you can focus and shoot with no noise at all. However, it is a tad smaller, and paired with a Sony A7 or A9 body, it actually feels pretty good – the narrowing of the lens where it meets the camera body creates a comfortable space for the fingers of your non-camera-holding hand to rest. Lenses labeled ‘E’ cannot be used on FE-mount cameras (a7 and a9 series). 630 g. Still on the classic 35mm focal length, the Sony 35mm f/1.4 is my recommendation for Sony full frame shooters. Overall, it’s a good lens for the money. In my opinion, it’s the best prime lens for Sony crop-sensor camera owners who want a small and lightweight setup with excellent optical performance – it’s in many respects the perfect travel camera/lens combination. ZEISS Batis 18mm F/2.8. Unless you’re shooting in low-light all the time, f/4 plus image stabilization and Sony’s excellent high ISO capabilities may be all you need. Since it’s such a lightweight lens, auto focus performance on the 28mm f/2 is silent and lightning quick. Based on the past few months I’ve had testing a selection of the lenses, these are the ones that I’ve chosen as a solid base for any Sony full frame or cropped sensor e-mount camera owner. That’s right, the 55mm f/1.8 is getting long in the tooth…. F/2 on the 35mm f/1.4 seems to be the sweet spot in terms of centre sharpness and combined with the beautiful bokeh, that pleasing ‘3D effect’ is actually increased. I’ll be uploading some sample photos I took in Tokyo soon, but in the meantime, have a read about this incredible lens. Since it can’t zoom in, it makes a better camera for new photographers. With the ever-expanding range of Sigma Art lenses for e-mount in addition to Sony’s own offerings, the allure of using non-native glass on your Sony camera is dwindling. On a Sony e mount camera like the a6000, it’ll become a 142mm lens, also great for portrait photography. Even wide open, the centre is impressively sharp, with image detail retained right up to the edges of the frame. Weight: 22.3 oz. One problem with it is its weight. 35mm equivalent: 15-27mm. Sony FE 90mm f/2.8 Macro G OSS Lens; Sigma 105mm f/2.8 EX DG OS HSM Macro Lens; If your current lens will not focus close enough to make a subject larger in the frame, it is time to get a macro lens. With internal focussing, the front element of the lens does not rotate and the overall length of the lens does not change during focus. I think it’s a fair assumption to say that the majority of professionals use full frame cameras, given the choice. As long as you get close enough to the subject, you can get impressive bokeh even at 24mm. All in all, the 55mm f/1.8 is a gem of a lens to have in your camera bag… or indeed your jacket pocket, due to its diminished size/weight. Zeiss E-Mount Lens Guide >> Sigma E-Mount Lens Guide >> Tamron E-Mount Lens … Legacy lenses reviewed include Canon FD, … Sony NEX 7 +  24mm f/1.8 | © Alan Chen Photography. Luckily, I compiled what I consider to be the top-rated in the photography community. Aside from that, there isn’t much to complain about. Let’s start with the bad news – this is one expensive lens. … 16mm allows for some crazy, in-your-face moments to be captured, and the versatility of zooming out to 35mm allows you to capture wider angle for when the action becomes more varied. Remember that FE lenses can be used on all Sony mirrorless cameras (at a 1.5* focal length multiplication). However, I believe that this roundup provides a solid selection of all-round lenses that give the best bang for the buck, or simply provide the absolute best image quality at a given focal length. The maximum that the lens aperture can open up to is f/1.8. This may be the kind of lens you’d want to buy if you weren’t interested in professional photography. I’m interested to hear if you agree or disagree with any of my choices, so please feel free to leave a comment below to continue the discussion. If you’ve just blown your budget on a new Sony full frame mirrorless camera and can only save up for one lens, the 28mm f/2 would be my recommendation. One of the advantages of Sony mirrorless cameras is the ability to use almost any third party lens (via a separate mount), allowing photographers to take advantage of Sony’s class-leading camera technology with some of the world’s best glass. As for image quality, the 28mm f/2 is sharp and contrasty all the way through the aperture range. Third parties like Venus and Voigtlander only sell manual focus glass, but others like Samyang, Rokinon, and Zeiss have both … Wide angle lenses can’t really create much out-of-focus elements unless you get really close to the subject, but when you do, the Sony 28mm f/2 does a great job at creating subject separation. Let’s break those words and abbreviations down: Other Sony lens abbreviations you may see include: In the reviews below, I’ve removed the superfluous lettering after the main elements of each lens name in the interests of simplicity – feel free to click through to each lens on Amazon to see the entire lens name. Sure, your smart phone’s ‘portrait mode’ may be able to do something similar, but the process is much slower with the mobile phone and its fancy A.I. The additional e-mount lens will allow you to get the best out of your Sony camera. Yes, at a 1.5x focal length and maximum aperture multiplication. You can also adapt a good legacy 50mm for under $50. Its wide aperture allows for better pictures in poor lighting. It’s important to understand the difference between Sony FE and Sony E-mount lenses (we’ve ignored Sony A mount lenses in this review, which are for Sony’s non-mirrorless range of cameras). If you want to know what lenses to buy for your Sony camera first, this quick summary should help: If you’re looking for an affordable, fun and tiny prime lens for your Sony APS-C sensor (E mount) camera, the Sony 20mm f/2.8 is my pick. As for image quality, the 55mm f/1.8 delivers razor-sharp images whether shot wide open at f/1.8 or stopped down to smaller apertures – you can expect edge to edge sharpness across the board, and incredible detail retention. Discover our high quality range of over 40 interchangeable camera lenses including A-mount and E-mount lenses crafted for a range of shooting situations. I often shoot portraits at f/2, just to give myself a bit of leeway in case of missed focus. The quality of the bokeh really is great, with round and clean highlights throughout the focal length, thanks to 9 rounded aperture blades. It’s lack of zoom forces people to really get close to get composed shots. Various third-party lens manufacturers have released the following lenses for Sony E-mount cameras since 2010. Razor sharp, great bokeh and lightweight. Despite different branding, the … Obviously, AF speed is largely dependent on the camera itself but paired with any Sony mirrorless full frame camera, I’m confident that you won’t be disappointed. Sony a7 Series: The Best Digital Cameras for Manual Focus Film Photographers. Sony does make 50mm 1/.8 lenses for both E and FE mount cameras, but this 55mm is faster to auto-focus and sharper, making it definitely worth the additional expense if you plan to use it a lot. Also, this guide to the best lenses for Sony a6400 shooters should be useful too. Compatibility: Crop Sensor (E) Minimum Focus: 0.3 m Filter Diameter: 49 mm Size: 63 mm (diameter) x 45 mm (length) Weight: Approx. 35mm is also a great focal length as discussed previously, but the advantage of this lens isn’t to be able to shoot at 16mm or 35mm, but rather, having the flexibility to alter the field of view between these two distances. the ‘holy trinity’, are unbeatable in quality. The cheapest AF full frame E-mount lenses are the Sony 1.8/50 and the Samyang 1.8/45. Type: Prime Wide-Angle. Whether you’re a wide angle lens lover or prefer to zoom in to your subject, the. Mark Condon is a British wedding photographer based in Australia and the founder of Shotkit. The Sony FE 85mm f/1.4 GM or the Sony FE 90mm f/2.8 G OSS would be better for people and animals. Be sure to check out this guide to the best lenses for the Sony a6000 for some more Sony e mount lens recommendations for the crop sensor format, and my guide to the best Sony accessories for what I’m currently using with my Sony cameras. I find that many Sony full frame camera owners also own crop sensor compact cameras too. While Sony has plenty of e-mount lenses, it can be hard to choose the right one. On a full frame camera, 35mm is incredibly versatile. Well, this Sony 85mm f/1.8 was the third lens I settled on. Not sure if my toes would, though. Best Sony lenses 2021: 16 top lenses for Sony mirrorless cameras By Matthew Richards , Amy Davies 23 July 2020 There's now a E-mount lens to suit pretty much any occasion It’s by no means an exhaustive list since every photographer’s needs are different. The E-mount is used on the Sony mirrorless camera system (Alpha 7, 6000, 500o and NEX series cameras). 886 g. If you want one lens that can handle pretty much any shooting scenario and produce clear, vibrant and sharp images with incredible detail, the Sony 24-70mm f/2.8 should be at the top of your wish-list. The cameras used for testing were the full frame a7R III (reviewed here), the a7 III (reviewed here), and the crop sensor a6000 (reviewed here). Sony a7RIII +  35mm f/1.4 FE | © Gold Hat Photography. 371 g. Remember I mentioned that I bought 3 lenses when I switched from Nikon to Sony? classic focal length for portrait photographers, this guide to the best lenses for the Sony a6000, FE – any lens that covers a 35mm sized sensor (designed for use on Sony’s full frame mirrorless cameras), G – ‘Gold’ lenses are Sony’s highest quality professional-grade lenses, OSS – ‘Optical SteadyShot’ is Sony’s in-built lens image stabilization, ZA – ‘Zeiss Alpha’, or any Sony lens featuring Carl Zeiss, SSM – ‘SuperSonic Motor’ is for extremely fast and silent Autofocus, SAM – ‘Smooth Autofocus Motor’, usually seem on Sony’s lower-end lenses, ED – ‘Extra-low Dispersion’ glass elements designed to reduce chromatic aberrations, DT – ‘Digital Technology’, refering to lenses that are designed for Sony APS-C sensor cameras, SEL – Sony autofocus lenses designed for E-mount. The f/4 Zeiss version is an affordable and tempting alternative, but you’ll be left wondering how much better your image could have looked…! Colour rendition is obviously also dependent on the camera used, but at least with the 55mm f/1.8 , you’ll know it’s not the lens letting you down! Highly recommended! However, I decided to include the Sony 50mm f/1.4 in the table above, since 50mm seems to be a more popular focal length for many photographers. Well those days are no more – the 24-70mm f/2.8 is just as sharp than any Sony prime lens I’ve ever shot with – it’s up there with the Sony 55mm we discussed earlier, and all this from a lens that can take you from wide angle to portrait in one twist! One area where the 35mm f/1.4 out-performs the Nikon and Canon equivalents is sharpness. As a rule of … Autofocus, electronic aperture APS-C E ... the autofocus version of the similar full frame manual focus … Sony E 20mm f/2.8. What’s the difference between Sony E Mount and A Mount? The 28mm f/2 is currently the most affordable Sony FE prime lens (see the latest price here), and an absolute bargain when compared to wide angle lenses of a similar caliber by other manufacturers. As you’d expect from the price tag of a G Master lens, image quality out of the Sony 16-35mm f/2.8 is nothing short of incredible. The Best Sony Macro Lens for 2021. With the sun at your back, images out of the Sony 24-70mm f/2.8 are vivid, sharp, contrasty and extremely sharp. 225 g. I’ll finish this roundup with a little bit of a controversial choice. Before we dive head first into the Sony lens reviews, it’s important to understand what all the letters in the lens name mean. In addition, shooting near the 70mm end of the focal range at f/2.8 produces creamy bokeh that turns out of focus elements into mush – very useful for unsightly backgrounds at weddings, for example. All of this makes it one of the best lenses available today. If you want the best wide angle lens for your Sony E-Mount, I highly recommend this Viltrox 20mm. As long as you don’t mind the weight of this lens, I really can’t find any reason not to recommend it to any kind of Sony full frame shooter. Thanks to a high speed internal focusing mechanism, the 55mm f/1.8 delivers fast, silent and precise auto-focus. It is a versatile and fun little lens that is the perfect complement to a small Sony mirrorless body. Imperfections like this add a certain character to the lens flare, with a certain unpredictability that’s fun to play around with. 16-35mm has also become popular with wedding photographers, particularly on the dance floor of all places. Very ideal for sports or nature shooting, the Sony FE 16-35mm G Master has to make this list for this obvious reason. If you’re looking for the sharpest lens at a useful, flattering focal length, it’s hard to beat the Sony 55mm f/1.8. Focal Length: 20mm (equivalent to 30mm) Weight: 69g (2.4 oz.) The lens, however, is good for far shots of people. Its size/weight went well with the smaller bodies, and the impeccable Carl Zeiss optics made the most of the A7R’s 36MP sensor. If you own a Sony crop sensor body and crave the the advantages and flexibility of using a ‘real’ 35mm lens (as opposed to one that’s labeled ’35mm’, but converts to around 50mm on APS-C), the 24mm f/1.8 is simply the best lens you can buy. I’m not a fan of shooting extensively with a 24mm, so was worried that 28mm would be touch too wide, but it’s actually not too daunting. A nice touch is a ‘focus-hold’ button on the side of the lens, which can be customised to control various other functions – I have mine set to control Eye AF. Due to its small size, it feels great when attached to Sony crop sensor bodies, and makes a fun walk-around lens. The best standard wide angle lens available for crop sensor Sony E mount cameras. Solid wide-angle lens with … To give you a bit of background, I used to shoot with two Nikon D750s, with 35mm and 85mm f/1.4 lenses (see my gear set up here). Sony doesn't sell any manual focus lenses, but others do. With its fast shutter, it avoids blurs effortlessly. 28mm is a somewhat unusual focal length, and it did admittedly take me a little time to get used to. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.29 m Filter Diameter: 49 mm Size: 64 mm (diameter) x 60 mm (length) Weight: Approx. Rokinon 14mm F2.8 Full Frame Ultra Wide Angle Lens For Sony E-Mount. There’s clearly a lot of choice for Sony shooters in 2021. Check out the video below to see the features that put the GM lenses one step above all the others in the Sony lens catalogue. … Although cheaper than the Canon/Nikon equivalents by about $300 (see the latest price here), I imagine that the majority of its owners are either professionals (like me), or amateurs who place a great value on stellar imaging performance. Kamlan 50mm F1.1 APS-C Large Aperture Manual Focus Lens Standard Lens for Mirrorless Cameras (Sony E Mount) 4 $159.00 $ 159 . What’s else? The ‘OSS’ refers to Optical Steady-Shot (image stabilization), a feature that is rare on prime lenses. That may sound strange, but it’s true. Often times it’s just a matter of what you want to take great photographs. 200 g. Along with the aforementioned 35mm, the Sony 28mm f/2 was the second of 3 lenses I bought when I switched from Nikon to Sony this year. FE refers to a lens designed to cover a Sony full frame (35mm) sensor. This lens is less than $239 on Amazon.com. So, without further ado, here are the best Sony lenses. The image quality is great, and its focal length and aperture make this one of the best lenses you can get for portraits. Announced to complement the first Sony A7 and A7R mirrorless cameras, the 55mm f/1.8 was the perfect match for these groundbreaking devices. (If there was an f/1.8 35mm, I would’ve got that too!). This lens is perfect for close-ups of small objects. By investing in lightweight Sony FE lenses such as this 28mm, it’s easy to use the same lens on the smaller crop sensor body, and take advantage of the image quality inherent in FE glass. 55mm may sound unusual, but the difference between a 50mm and a 55mm field of view is minor and something you’ll quickly get used to. The Standard E-mount series is ideal for the APS-C and Super-35mm image format. 35mm is ideal as a walkaround lens, wise enough for landscapes or architecture and still good for an environmental portrait. by James Madison. If you can get close enough to the subject, the bokeh exhibited by the Sony 16-35mm f/2.8 is smooth and creamy, although to really maximise the effect, you’ll need to be shooting at 35mm. Coming from the Nikon 35mm f/1.4G (included in this best Nikon lens roundup), I noticed a similarity in the smooth transition of in-focus to out-of-focus elements which gives images a kind of ethereal personality. It also exhibits very little distortion. By: Fotasy. For any photographer who needs a versatile portrait focal length at a good price, which complements the size of a Sony mirrorless camera. ), and this one from Sony is no different, at 630 g (22.22 oz). Remember when everyone started using prime lenses because they were sharper and better quality than zoom lenses? So for a crop sensor prime lens such as the 24mm f/1.8 to cost almost as much as the camera itself (see latest price here), you’re going to ruffle some feathers amongst hobbyists! It’s one of the best wide-angle lens for most Sony photographers and videographers. Filter … I was pleasantly surprised with how much bokeh can be produced at f/2 with this lens. The barrel is made from sturdy plastic, and the mount and filter thread are metal. This means you can own a Sony a7 or a9 series camera and share the lenses with your Sony a6500, Sony a6300, Sony a6400 or whatever other Sony APS-C sensor camera. Auto-focus performance is just as good as any DSLR equivalent I’ve shot with. A real workhorse that delivers great-looking images over and over, and allows you to shoot in near darkness with no flash. Both are outstanding lenses. Build quality is all-metal as to be expected from Carl Zeiss, and it’s a huge step-up from the plasticky kit lens. This lens is also amazing for architecture photography for this reason, although at 55mm you’ll obviously need to be able to stand back far enough to fit the subject of your photo in completely. Colours are precise and vibrant, so JPEG shooters who don’t want to spend any time behind a computer can be confident of nailing the shot straight-out-of-camera. For this reason, this little lens which I assumed would be relegated to shots of my kids on holiday actually sees a lot of use when shooting professionally. Distortion is typical for a 24-70mm lens, with pronounced barrel distortion at 24mm, although it’s all easily fixable in Lightroom. One nice touch is the aperture ring which allows aperture adjustments to be made on the lens. It’s fair to say that any of the Sony products with the word ‘Zeiss’ on the side really excel in image quality, especially the fast primes such as this one. Overall, the Sony 35mm f/1.8 is a versatile and fun little lens that is the perfect complement to a small Sony mirrorless body, with images quality that simply isn’t possible with the kit lens that comes with your camera. 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Little bit of leeway in case of missed focus in professional photography in-focus elements to bokeh! Because they were sharper and better quality than zoom lenses good for low-light shooting aperture, this E! Architecture and still good for a 24-70mm lens before, you can also choose between a click. Than zoom lenses in our article on the Sony E mount cameras my. S perfect for shooting videography you can get impressive bokeh even at 24mm, although it ’ s more. This add a certain character to the entire focal range the skills they to!